His ballad opera, Big Rock Candy Mountain, premiered December 1955 at Joan Littlewood's Theatre Workshop and featured Ramblin' Jack Elliot. Free for commercial use, no attribution required. I do not find positive evidence that Mr. Lomax has been engaged in subversive activities and I am therefore taking no disciplinary action toward him." His association with [blacklisted American] film director Joseph Losey is also mentioned (serial 30a).[58]. He was always living hand to mouth. The acquisition was made possible through a cooperative agreement between the American Folklife Center (AFC) and the Lomax Digital Archive, and the generosity of an anonymous donor. Lomax, who was a founding member of People's Songs, was in charge of campaign music for Henry A. Wallace's 1948 Presidential run on the Progressive Party ticket on a platform opposing the arms race and supporting civil rights for Jews and African Americans. "That is pretty much the story there, except that it distressed my father very, very much", Lomax told the FBI. In Scotland, Lomax is credited with being an inspiration for the School of Scottish Studies, founded in 1951, the year of his first visit there.[38][39]. The music is enormously varied: from worksongs to Big Brazos, Texas Pnson Recordings, 1933 tunes played on quills, from haunting and 1934 Cajun songs to old British traditional CD, 1826, Rounder, 2000. "He traveled in a 1935 Plymouth sedan, toting a Presto instantaneous disc recorder and a movie camera. When The Train Comes Along 10. Sang at the Berkeley festival and met Jimmy Driftwood there for the first time. Caribbean Voyage, The Classic Louisiana Recordings, The Concert And Radio Series. [14], From 1937 to 1942, Lomax was Assistant in Charge of the Archive of Folk Song of the Library of Congress to which he and his father and numerous collaborators contributed more than ten thousand field recordings. The earliest recordings were made by John and Alan Lomax in Harlan County in 1933. Created by Alan Lomax, John A. Lomax, Sr., and many others, the body of material . It offers a gripping introduction to McDowell's unique style . Kugelberg: Your friends in England were dying of envy. The collection can be accessed in the Folklife Reading Room, located in the Jefferson Building (room LJ G-53). It is false Darwinism applied to culture especially to its expressive systems, such as music language, and art. It extensively used samples from field recordings collected by Lomax on the 1993 box set Sounds of the South: A Musical Journey from the Georgia Sea Islands to the Mississippi Delta. "He did it out of the passion he had for it, and found ways to fund projects that were closest to his heart".[3]. It's surprising that Atlantic Records made that leap of faith because the series is sort of outside of their paradigm. Together we moved the number of completed pages in the Alan Lomax Campaign from 1,732 to over 3,000 to celebrate Alan Lomax's 105th birthday. Kulturkreise, Culture Areas, and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today, in Britta Sweers and Sarah H. Ross (eds. In 1953 a young David Attenborough commissioned Lomax to host six 20-minute episodes of a BBC TV series, The Song Hunter, which featured performances by a wide range of traditional musicians from all over Britain and Ireland, as well as Lomax himself. "[47], Alan Lomax died in Safety Harbor, Florida on July 19, 2002, at the age of 87. Prison Songs Historical Recordings From Parchman Farm 1947-48 Volume Two: Don'tcha Hear Poor Mother Calling? ITMA is delighted to announce the publication of 2 CDs featuring field recordings of Irish traditional song, music and stories made by Alan Lomax in Ireland in 1951, with Robin Roberts and Samus Ennis. This set gathers recordings made by folklorist Alan Lomax in 1959, by which time the little-known Fred McDowell was well into his 50s. The stuff of folklorethe orally transmitted wisdom, art and music of the people can provide ten thousand bridges across which men of all nations may stride to say, "You are my brother."[50]. [8], Owing to his mother's declining health, however, rather than going to Harvard as his father had wished, Lomax matriculated at the University of Texas at Austin. In Young's opinion, "Lomax put on what is probably the turning point in American folk music . Bandcamp Album of the Day Jun 10, 2020, Cerebral palsy curbed his ability to play guitar the conventional way, so Nagoda learned double slide, this is his debut LP. Lomax also did important field work with Elizabeth Barnicle and Zora Neale Hurston in Florida and the Bahamas (1935);[14] with John Wesley Work III and Lewis Jones in Mississippi (1941 and 42); with folksingers Robin Roberts[15] and Jean Ritchie in Ireland (1950); with his second wife Antoinette Marchand in the Caribbean (1961); with Shirley Collins in Great Britain and the Southeastern US (1959); with Joan Halifax in Morocco; and with his daughter. This made sense, because even Alan Lomax himself, the great folk archivist, had said somewhere that if you want to go to America, go to Greenwich Village. [70]. Furthermore, the book "The Southern Journey of Alan Lomax: Word, Photographs . ), South Carolina - Got The Keys To The Kingdom, Bahamas 1935, Volume 2: Ring Games And Round Dances, World Library Of Folk & Primitive Music: France, Southern Journey Volume 1: Voices From The American South - Blues, Ballads, Hymns, Reels, Shouts, Chanteys And Work Songs, Southern Journey Volume 2: Ballads And Breakdowns (Songs From The Southern Mountains), Southern Journey Volume 3: 61 Highway Mississippi - Delta Country Blues, Spirituals, Work Songs & Dance Music, Southern Journey Volume 4: Brethren, We Meet Again - Southern White Spirituals, Southern Journey Volume 5: Bad Man Ballads (Songs Of Outlaws And Desperadoes), Southern Journey Volume 6: Sheep, Sheep Don'tcha Know The Road - Southern Music, Sacred And Sinful, Southern Journey Volume 7: Ozark Frontier - Ballads And Old-timey Music From Arkansas, Southern Journey Volume 8: Velvet Voices - Eastern Shores Choirs, Quartets, And Colonial Era Music, Southern Journey Volume 9: Harp Of A Thousand Strings - All Day Singing From The Sacred Harp, Southern Journey Volume 10: And Glory Shone Around - More All Day Singing From The Sacred Harp, Southern Journey Volume 11: Honor The Lamb, Southern Journey Volume 12: Georgia Sea Islands - Biblical Songs And Spirituals, Southern Journey Volume 13: Earliest Times - Georgia Sea Islands Songs For Everyday Living, Prison Songs Historical Recordings From Parchman Farm 1947-48 Volume One: Murderous Home. ACE repatriated recordings, film footage, and images of the legendary bluesman Muddy Waters at the 5th Annual International Conference on the Blues in October, 2018. The Association's mission is to "facilitate cultural equity" and practice "cultural feedback" and "preserve, publish, repatriate and freely disseminate" its collections. The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. A second series of interviews, called "Dear Mr. President", was recorded in January and February 1942. These field recordings are the source material that sparked the American folk revival in the 1950s and 1960s. agents which became the basis for the entertainment industry blacklist of the 1950s, listed Lomax as an artist or broadcast journalist sympathetic to Communism. (Others listed included Aaron Copland, Leonard Bernstein, Yip Harburg, Lena Horne, Langston Hughes, Burl Ives, Dorothy Parker, Pete Seeger, and Josh White.) $24.99 + $5.05 shipping. *New online: Manuscripts from the Alan Lomax Collection. Over four hundred recordings from this collection are now available at the Library of Congress. The earliest recordings were made by John and Alan Lomax in Harlan County in 1933. They separated the following year and were divorced in 1967.[44]. Lomax and Diego Carpitella's survey of Italian folk music for the Columbia World Library, conducted in 1953 and 1954, with the cooperation of the BBC and the Accademia Nazionale di Santa Cecilia in Rome, helped capture a snapshot of a multitude of important traditional folk styles shortly before they disappeared. I used to know him years ago. Folk Delta Blues Americana. It's necessary to put your hand on the artist while he sings. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. Recordings by Alan Lomax. Especially powerful when walking home drunk, on max volume. Elizabeth also wrote radio scripts of folk operas featuring American music that were broadcast over the BBC Home Service as part of the war effort. See. Lomax recognized that folklore (like all forms of creativity) occurs at the local and not the national level and flourishes not in isolation but in fruitful interplay with other cultures. The men rose in the black hours of morning and ran all the way to the field, sometimes a distance of several . Alan Lomax was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. Fred McDowell's Blues 5. Its report concluded that although Lomax undoubtedly held "left wing" views, there was no evidence he was a Communist. Alan LOMAX ENGLAND World Library of Folk & Primitive Music Columbia SL206 . [69], In his autobiographical, Chronicles, Part One, Dylan recollects a 1961 scene: There was an art movie house in the Village on 12th Street that showed foreign moviesFrench, Italian, German. Download Image of Alan Lomax Collection, Manuscripts, Southern States (AL, AR, GA, KY, MS, TN, VA), 1959-1960. The Lomaxes attended Lead Belly's wedding to Martha Promise in Wilton, Connecticut. Fred McDowell - The Alan Lomax Recordings LP used US 2011 NM/VG+. The classic 2011 release, featuring 2-page historical notes written by Arhoolie Records Adam Machado and the Alan Lomax Archives Nathan Salsburg. In March 2004, the American Folklife Center in the Library of Congress acquired the Alan Lomax Collection, which comprises the unparalleled ethnographic documentation collected by the legendary folklorist over a period of sixty years. "Fred McDowell: The Alan Lomax Recordings" is a collaboration by the Alan Lomax Archive, Mississippi Records, Little Axe Records, and Domino Sound. Although the Great Depression was rapidly causing his family's resources to plummet, Harvard came up with enough financial aid for the 16-year-old Lomax to spend his second year there. Alan Lomax (/ l o m k s /; January 31, 1915 - July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. In the early 20th century, US fieldwork continued with Alan Lomax's father, John, who began by recording cowboy songs on the Mexican borders in the late 1900s, and recorded many worksongs, reels . I don't know if many of you have heard of him [Audience applause.] Essentially, the Anthology was comprised of dozens of. Nathan Salsburg never met Alan Lomax, the famed American musicologist. [23] On hearing the news, Woody Guthrie wrote Lomax from California, "Too honest again, I suppose? Allison Hussey. During the spring term his mother died, and his youngest sister Bess, age 10, was sent to live with an aunt. The Alan Lomax Archive has the freedom to issue music, without the format or release cycle restrictions of CDs or vinyl, through an accessible outlet that's easy to navigate. Elizabeth assisted him in recording in Haiti, Alabama, Appalachia, and Mississippi. The "World Music" phenomenon arose partly from those efforts, as did his great book, Folk Song Style and Culture. Thanks for putting it on bandcamp! His efforts spurred folk revivals in the United States and across Europe. They recorded songs sung by sharecroppers and prisoners in Texas, Louisiana, and Mississippi. Describes the history of the Lomax family and the Archive of American Folk Song at the Library of Congress. He joined and wrote a few columns for the school paper, The Daily Texan but resigned when it refused to publish an editorial he had written on birth control. Lomax said he and his colleagues agreed to stop their protest when police asked them to, but that he was grabbed by a couple of policemen as he was walking away. Along with 10 CDs of recordings of Haitian musicians, the set also includes two books. Blue jeans, fast food, rock music, and American television serials have been sweeping the world for years. Caught the train out to San Francisco from Chicago, which was an incredible experience. . [42][43], Lomax married Antoinette Marchand on August 26, 1961. Especially powerful when walking home drunk, on max volume. On one of his trips in 1941, he went to Clarksdale, Mississippi, hoping to record the music of Robert Johnson. From Lomax's Spanish and Italian recordings emerged one of the first theories explaining the types of folk singing that predominate in particular areas, a theory that incorporates work style, the environment, and the degrees of social and sexual freedom. In 1950, Alan Lomax left the United States to avoid being snared in the anti-communist net cast by Senator McCarthy and others. In 1952, Lomax traveled to Extremadura, Spain, an isolated region bordering Portugal. Still gives me goosebumps and a good laugh. In a letter to the editor of a British newspaper, Lomax took a writer to task for describing him as a "victim of witch-hunting," insisting that he was in the UK only to work on his Columbia Project.[33]. On Friday recordings, photographs, video and documents are to be donated to the public library in Como, Miss., where in September 1959 Lomax made the first recordings of the blues guitarist Fred . Brian Eno wrote of Lomax's later recording career in his notes to accompany an anthology of Lomax's world recordings: [He later] turned his intelligent attentions to music from many other parts of the world, securing for them a dignity and status they had not previously been accorded. It is housed at the Fine Arts Campus of Hunter College in New York City and is the custodian of the Alan Lomax Archive. The Alan Lomax Collection gathers together the American, European, and Caribbean field recordings, world music compilations, and ballad operas of writer, folklorist, and ethnomusicologist Alan Lomax. Nor had Lomax's Harvard academic record been affected in any way by his activities in her defense. [17] A pioneering oral historian, Lomax recorded substantial interviews with many folk and jazz musicians, including Woody Guthrie, Lead Belly, Jelly Roll Morton and other jazz pioneers, and Big Bill Broonzy. They have to react to you. The file contains a partial record of Lomax' movements, contacts and activities while in Britain, and includes for example a police report of the "Songs of the Iron Road" concert at St Pancras in December 1953. Son House 1941/42 Recordings Folklyric LP Vinyl EX- Alan Lomax. [37] In 1957 Lomax hosted a folk music show on BBC's Home Service called 'A Ballad Hunter' and organized a skiffle group, Alan Lomax and the Ramblers (who included Ewan MacColl, Peggy Seeger, and Shirley Collins, among others), which appeared on British television. Ethnomusicologist and archivist Alan Lomax's contribution to the preservation and continued flourishing of American folk music is inestimable. Lomax must have felt it necessary to address the suspicions. He collaborated in Bell County with New York University folklorist Mary Elizabeth Barnicle. Sapphista, supported by 50 fans who also own The Alan Lomax Recordings, Years ago, being broke and hopeless, I listened to a shitty vinyl rip of this all the time. [68] The album went on to be certified platinum in more than 20 countries. However, William Tompkins, assistant attorney general, wrote to Hoover that the investigation had failed to disclose sufficient evidence to warrant prosecution or the suspension of Lomax's passport. [49], Folklore can show us that this dream is age-old and common to all mankind. At that concert, the point he was trying to make was that Negro and white music were mixing, and rock and roll was that thing. John was back once more in 1939. Lomax never told his family exactly why he went to Europe, only that he was developing a library of world folk music for Columbia. Souvenir Program of the Fifty-Ninth Annual Passover of the Church of God & Saints of Christ, April 13-20, 1960; postcard and drawings of Mason Temple, Church of God in Christ headquarters, 1947;. He played a key role in the development of the Center's work. He had no money, ever. [62], In January 2012, the American Folklife Center at the Library of Congress, with the Association for Cultural Equity, announced that they would release Lomax's vast archive in digital form. 11 - Honor the Lamb Lomax traveled through the American South in the 1940s with a mobile recording unit in order to capture firsthand the rich tapestry of the nation's non-commercial music. Berkman, however, had been cleared of all accusations against her and was not deported. Indexes for many of these materials are available upon request. Chicago, Illinois, Mississippi Records was dreamt up 20 years ago. Lomax was extremely nervous throughout the interview."[56]. [10] He also became involved in radical politics and came down with pneumonia. Sublabels. The Complete Plantation Recordings, subtitled The Historic 1941-42 Library of Congress Field Recordings, is a compilation album of the blues musician Muddy Waters' first recordings collected by Alan Lomax for the Library of Congress in 1941-42 and released by the Chess label in 1993. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. This is a song that transports the listener back to a time and place where songs were how stories were told. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independently in Britain, Ireland, the Caribbean, Italy, and Spain, as well as the United States, using the latest recording technology, assembling an enormous collection of American and international culture. The pair amassed one of the most representative folk song collections of any culture. "[9] At the University of Texas Lomax read Nietzsche and developed an interest in philosophy. Roosevelt Dime sings "Goin' Down the Road Feelin' Bad" as part of the Lomax Challenge. Compare Gell-Mann: Just as it is crazy to squander in a few decades much of the rich biological diversity that has evolved over billions of years, so is it equally crazy to permit the disappearance of much of human cultural diversity, which has evolved in a somewhat analogous way over many tens of thousands of years The erosion of local cultural patterns around the world is not, however, entirely or even principally the result of contact with the universalizing effect of scientific enlightenment. Shirley Collins/Courtesy of Alan Lomax Archive hide caption This is material from Alan Lomax's independent archive which has been digitized and offered by the Association for Cultural Equity. A gold-plated copper disc that contains sounds and images selected to portray the diversity of life and culture on Earth. . The show ran for only twenty-one weeks before it was suddenly canceled in February 1941. [22], Despite its success and high visibility, Back Where I Come From never picked up a commercial sponsor. ), This page was last edited on 11 February 2023, at 00:53. Between 1933 and 1939, John Lomax would record nearly 250 songs from Parchman inmates, male and female; and not just the group work songs and field hollers, but also game songs, blues, ballads, toasts, and many sacred performances. O well, this country's a getting to where it can't hear its own voice. As a member of the Popular Front and People's Songs in the 1940s, Alan Lomax promoted what was then known as "One World" and today is called multiculturalism. Nor would he ever allow anyone to say he was forced to leave. These tape recordings are "distinct" from the thousands of earlierrecordings on acetate . LOVE OVER GOLD. Try a different filter or a new search keyword. A huge treasure trove of songs and interviews recorded by the legendary folklorist Alan Lomax from the 1940s into the 1990s have been digitized and made available online for free listening. Kentucky recordings that she . Thank you Brittany Haas for the wonderful fiddle! Become a Subscriber. He was a musicologist, writer, producer, and musician and spent much of his life gathering field recordings of folk music. Update 2/3/20:Congratulations on completing another successful challenge! Many materials are also available online through the Lomax Digital Archive, and the Alan Lomax YouTube channel . But it was Robert W. Gordon that first undertook serious field-recording trips. Similar ideas had been put into practice by Benjamin Botkin, Harold W. Thompson, and Louis C. Jones, who believed that folklore studied by folklorists should be returned to its home communities to enable it to thrive anew. In Dallas, he entered the Terrill School for Boys (a tiny prep school that later became St. Mark's School of Texas). Community Field Recordings. Lomax was a consultant to Carl Sagan for the Voyager Golden Record sent into space on the 1977 Voyager Spacecraft to represent the music of the earth. "[35], For the Scottish, English, and Irish volumes, he worked with the BBC and folklorists Peter Douglas Kennedy, Scots poet Hamish Henderson, and with the Irish folklorist Samus Ennis,[36] recording among others, Margaret Barry and the songs in Irish of Elizabeth Cronin; Scots ballad singer Jeannie Robertson; and Harry Cox of Norfolk, England, and interviewing some of these performers at length about their lives. The remarkable life and times of the man who popularized American folk music and created the science of song Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Going Down To The River 8. Alan's field recordings and his collaborations with like-minded scholars in England, Scotland, Ireland, Italy, Spain, and . Brogan. I wasn't just 'along for the trip'. To mark the 100th birthday of influential folklorist and musician Alan Lomax (1915-2002), who collected songs from musicians like Muddy Waters, Lead Belly, Aunt Molly Jackson and Woody Guthrie, Folk Alliance International joined the American Folklife Center to create the Lomax Challenge. The only way to halt this degradation of man's culture is to commit ourselves to the principles of political, social, and economic justice. All researchers must obtain a Reader Registration card prior to doing research in any Library of Congress reading rooms. The Lomax Digital Archive Collections contain several large audio, film, and photographic collections made, together and apart, by John and Alan Lomax, including Field Work, Film and Video, Radio Shows, and Alan Lomax as Performer. .. Over his seven-decade career he collected thousands of audio recordings of folk and traditional music from around the US and the world, and dedicated himself to the pursuit of what he called "cultural equity." Shake 'Em On Down 2. January 30, 2014 by Nicole Saylor. I hold the mike, use my hand for shading volume. Even if they're mad at you, it's better than nothing. His cautions about "universal popular culture" (1994: 342) sound remarkably like Alan's warning in his "Appeal for Cultural Equity" that the "cultural grey-out" must be checked or there would soon be "no place worth visiting and no place worth staying" (1972). Lomax left Harvard, after having spent his sophomore year there, to join John A. Lomax and John Lomax, Jr. in collecting folk songs for the Library of Congress and to assist his father in writing his books. Finally back in print! Alan Lomax is a folklorist and ethnomusicologist. I learned a lot there and Alan Alan was one of those who unlocked the secrets of this kind of music. Sure enough, in October, FBI agents were interviewing Lomax's friends and acquaintances. The collection includes field recordings and photographs Lomax made in the Bahamas, the Caribbean, England, France, Georgia, Haiti, Ireland, Italy, Morocco, Romania, Russia, Scotland, Spain, the United States, and Wales, 1930s-2004. In late 1939, Lomax hosted two series on CBS's nationally broadcast American School of the Air, called American Folk Song and Wellsprings of Music, both music appreciation courses that aired daily in the schools and were supposed to highlight links between American folk and classical orchestral music. Made in the field in the Southern United States, the Caribbean, Britain, Scotland, Ireland, Spain, Italy, Morocco, Romania, Soviet Georgia, and in Lomax's various living quarters, where he hosted many traditional singers. The individual programs reached ten million students in 200,000 U.S. classrooms and were also broadcast in Canada, Hawaii, and Alaska, but both Lomax and his father felt that the concept of the shows, which portrayed folk music as mere raw material for orchestral music, was deeply flawed and failed to do justice to vernacular culture. It asks that we recognize the cultural rights of weaker peoples in sharing this dream. He enrolled in philosophy and physics and also pursued a long-distance informal reading course in Plato and the Pre-Socratics with University of Texas professor Albert P. Upon his return to New York in 1959, Lomax produced a concert, Folksong '59, in Carnegie Hall, featuring Arkansas singer Jimmy Driftwood; the Selah Jubilee Singers and Drexel Singers (gospel groups); Muddy Waters and Memphis Slim (blues); Earl Taylor and the Stoney Mountain Boys (bluegrass); Pete Seeger, Mike Seeger (urban folk revival); and The Cadillacs (a rock and roll group). His radio shows of the 1940s and 1950s explored musics of all the world's peoples. This earlier collection which includes the famous Jelly Roll Morton, Woody Guthrie, Lead Belly, and Muddy Waters sessions, as well as Lomax's prodigious collections made in Haiti and Eastern Kentucky (1937) is the provenance of the American Folklife Center"[65] at the Library of Congress..mw-parser-output .ambox{border:1px solid #a2a9b1;border-left:10px solid #36c;background-color:#fbfbfb;box-sizing:border-box}.mw-parser-output .ambox+link+.ambox,.mw-parser-output .ambox+link+style+.ambox,.mw-parser-output .ambox+link+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+style+.ambox,.mw-parser-output .ambox+.mw-empty-elt+link+link+.ambox{margin-top:-1px}html body.mediawiki .mw-parser-output .ambox.mbox-small-left{margin:4px 1em 4px 0;overflow:hidden;width:238px;border-collapse:collapse;font-size:88%;line-height:1.25em}.mw-parser-output .ambox-speedy{border-left:10px solid #b32424;background-color:#fee7e6}.mw-parser-output .ambox-delete{border-left:10px solid #b32424}.mw-parser-output .ambox-content{border-left:10px solid #f28500}.mw-parser-output .ambox-style{border-left:10px solid #fc3}.mw-parser-output .ambox-move{border-left:10px solid #9932cc}.mw-parser-output .ambox-protection{border-left:10px solid #a2a9b1}.mw-parser-output .ambox .mbox-text{border:none;padding:0.25em 0.5em;width:100%}.mw-parser-output .ambox .mbox-image{border:none;padding:2px 0 2px 0.5em;text-align:center}.mw-parser-output .ambox .mbox-imageright{border:none;padding:2px 0.5em 2px 0;text-align:center}.mw-parser-output .ambox .mbox-empty-cell{border:none;padding:0;width:1px}.mw-parser-output .ambox .mbox-image-div{width:52px}html.client-js body.skin-minerva .mw-parser-output .mbox-text-span{margin-left:23px!important}@media(min-width:720px){.mw-parser-output .ambox{margin:0 10%}}.
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