In February he teamed up with Jerry Hadley, Cheryl Studer, and Craig Rutenberg to perform I Hear America Singing at the Barbican Centre in London. Hampson, dressed in corduroy pants, a pullover and gold neck chain, is sitting on a sofa in the New York apartment he rented during the "Giovanni" performances at the Metropolitan. He debuted in Un ballo in maschera and another performance at the 2005 Salzburg Festival, this time as Germont in La traviata. Other important appearances of Hampson's in 1996 include a series of master classes at the Mozarteum University of Salzburg, and two productions of Don Carlos in the original French (directed by Luc Bondy), one in Paris and one in London. The varied carols we hear: A tribute to American song - Thomas Hampson Engagements during this time also included those with companies in Hamburg, Cologne, and Vienna, and his 1984 London recital debut at Wigmore Hall. In 1986, he was invited to audition for Leonard Bernstein, which led to Hampson's participation in the 1987 semi-staged performance of La bohme in Rome, led by Bernstein, and, soon after, their legendary performances with the Vienna Philharmonic of Gustav Mahler's Kindertotenlieder (1988), Rckert-Lieder (1990) and Lieder eines fahrenden Gesellen (1990). When he visits his parents, now divorced, he notes: "Dad and Tom play golf, and Mom and Tom play canasta and my career is left at the door. Affable and erudite, Hampson, who is co-editor of a critical edition of Mahler's songs, speaks with a mild Viennese-inflected drawl, the result, I assume, of his Austro-American lifestyle. 1993 also saw the beginning of Hampson's institutional involvement in the classical world, when he gave a series of master classes at the Tanglewood Festival in Lenox, Massachusetts. File : 2014 Andrea Herberstein, Thomas Hampson (14323609479).jpg The mezzo-soprano Frederica von Stade, who sings Penelope in the production, calls Hampson "a wonderful artist." Among other season highlights include concerts with the National Symphony Orchestra and Christoph Eschenbach, the Munich Philharmonic and Zubin Mehta, the Los Angeles Philharmonic and Gustavo Dudamel, the Pittsburgh Symphony and Manfred Honeck and the Israel Philharmonic and Zubin Mehta. Part of the reason for his lower profile in America is that he spends more time in Europe, where he has made his home for the last 10 years. What's bad about that is that singing is not just a job, it's my passion, and I feel badly that I can't share that with my family.". The New York Times praised the recording, saying that "the performances have a luminous beauty and cast a storyteller's spell." The company agreed, provided Hampson commit himself to "Ulysses.". In April 1997, he made his first performance as Eugene Onegin in Tchaikovsky's opera of the same name at the Vienna State Opera, and in May he reunited with Harnoncourt for a rare production of Schubert's Alfonso und Estrella at Theater an der Wien in Vienna. His voice never overpowers the music, and there is always a sense of a genuine emotional connection to the material. "Wir sind seit einiger Zeit verheiratet. In April 1997, he made his first performance as Eugene Onegin in Tchaikovsky's opera of the same name at the Vienna State Opera, and in May he reunited with Nikolaus Harnoncourt for a rare production of Schubert's Alfonso und Estrella at Theater an der Wien in Vienna. In 1981, he was one of the winners in the Metropolitan Opera National Council Auditions national finals. Donald Thulean, director of orchestra services for the American Symphony Orchestra League, who conducted the Spokane Symphony for 22 years, remembers that Hampson "was always first in line after a performance to ask for my input. [53] Both performances were broadcast worldwide. In May, he performed with the San Francisco Symphony at Carnegie Hall, to great praise. She is affiliated with University Hospital - University of Michigan. "[3], Dame Elisabeth Schwarzkopf once said of her student, "[Thomas Hampson is] the best singer in Europe right now. "He loves to dig in and tear a contract apart," Benson says. 2014 Andrea Herberstein, Thomas Hampson (14323609479).jpg 800 1,200; 122 KB 2014 Andrea Herberstein, Thomas Hampson (14323766607).jpg 800 1,200; 194 KB 2014 Thomas Hampson (14487117416).jpg 800 1,200; 213 KB ThomasHampson.jpg 900 600; 67 KB Contribute to chinapedia/wikipedia.en development by creating an account on GitHub. Thomas Hampson, Andrea Herberstein, Teresa Medearis, Gary Garabedian and Karen Kubin attend 2013 CONSERVATORY GALA Honoring THOMAS HAMPSON on April 20th 2013 in San Francisco, CA. That year, he continued to add to his repertoire with performances including Il barbiere di Siviglia at The Royal Opera House, Covent Garden and the Met, his debut in the role of Posa in Verdi's Don Carlo in Zrich, the title role in Hans Werner Henze's Der Prinz von Homburg, and Chorbe in Les Troyens at the Met. Sein Schwiegersohn ist der italienische Bassbariton Luca Pisaroni. Hampson ist in Spokane aufgewachsen. Files are available under licenses specified on their description page. [Interview] Michael Spyres and Lawrence Brownlee on their new Rossini album, The Tricks of the Trocks: powder, ice and pointe shoes, Interview with Anna Netrebko on her son, his autism and his abandonment by his father Erwin Schrott. I am truly, forgive me, God, jealous of people who are so musically able. VIENNA, AUSTRIA - MAY 31: Opera singer Thomas Hampson and his wife Andrea Herberstein, Alexa Wesner (US Embassadress) and her husband Blaine Wesner attend the Life Ball 2014 after show party at City Hall on May 31, 2014 in Vienna, Austria. "It's not very pleasant -- for me, anyway," he says with typical immodesty after the performance. Indeed, last spring, he was "covering" the role of Giovanni for Samuel Ramey at the Metropolitan; when the contract was written in 1986, he wasn't bookable in the title role. Having settled in Vienna long-term, Hampson later began dividing his time between New York City and Zrich. [66][67], In March 2011, Hampson continued his dedication to song with the opening of the first Lied Academy as part of the Heidelberger Frhling Festival. Although he made his Metropolitan Opera debut in 1986 as the Count in "The Marriage of Figaro," his career here has developed more slowly than it has in Europe. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. So far, letting his audience down has not been in his repertoire. Optimieren Sie Ihren Workflow mit unserem erstklassigen Digitalen Asset Management System. Access the best of Getty Images with our simple subscription plan. Walter Thomas Hampson -- the Walter has been given to four generations of Hampson males in honor of an ancestor who Hampson says served as sheriff of London around 1600 -- is the youngest of three children. With typical thoroughness he has also read the section of Homer's "Odyssey" covered in the libretto. Like other colleagues, she finds him "great fun" to work with, yet exacting in the high standards of preparation he expects of himself and his collaborators. How many nieces and nephew luther vandross have? 35K followers. But he stands, swills some Chinese tea from a thermos, and soon returns to the stage, smugly seductive and elegant in his red velvet "party" outfit. [26] Other important appearances of Hampson's in 1996 include a series of master classes at the Mozarteum University of Salzburg, and two productions of Don Carlos in the original French (directed by Luc Bondy), one in Paris and one in London. Who is Katy mixon body double eastbound and down season 1 finale? [33] He also reprised his performance in Doktor Faust at the Met. A teacher walks into the Classroom and says If only Yesterday was Tomorrow Today would have been a Saturday Which Day did the Teacher make this Statement? appealed to a higher Austrian court in February of 2011, and the In 2003, Hampson performed in a recital dedicated to the works of composer Hugo Wolf, first in February at Carnegie Hall (appearing with pianist/conductor Daniel Barenboim)[37] and then at the Salzburg Festival in a piece titled "The Hugo Wolf Project", created by Hampson and featuring a number of his famous contemporaries. Andrea Herberstein, Thomas Hampson's american secret wife, is now free, she was not incercerated but served the sentence with house arrest and electronic control (Fussfessel) for seven. Early 1999 saw Hampson back at the Metropolitan Opera, this time in the title role in the baritone version of Massenet's Werther, alongside Susan Graham. What are the Physical devices used to construct memories? Thomas Hampson Photos and Premium High Res Pictures - Getty Images Mahler 'has overwhelmed my life,' singer says Thomas Hampson Although Hampson married a member of his church at 20, he soon abandoned his religious upbringing for a more ecumenical spirituality influenced by everything from Carl Jung to Zen poetry. In July, he made yet another role debut: Wolfram in Wagner's Tannhuser, a role that would later win him the 2002 Grammy Award for Best Opera Recording. 0 (0 ratings) Leave a review. In addition to his performance schedule, much of Hampson's modern career has centered on music scholarship and education. Last year, we did "Cosi" at the Met, and it was gratifying to look at each other with a twinkle in our eyes -- realizing that the boy from Spokane and the boy from Peoria, Ill., had achieved their dreams. Thomas Hampson "I feel dizzy," protests Hampson, who was forced to cancel the previous performance because of a throat infection. ArcoDiva Prague - Andrea Herberstein, the wife of Thomas Hampson You are free: to share - to copy, distribute and transmit the work; to remix - to adapt the work; Under the following conditions: attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. 1425 E Ann St Spc 5856 Ann Arbor, MI 48109. Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010. ), While it is not unusual for opera superstars to cancel performances if more tempting offers arise, up-and-coming young singers are usually more cautious, particularly when a debut with a prominent house is involved. 2002 bore a number of role dbuts, including an April performance as Mandryka in Richard Strauss's Arabella at the Thtre du Chtelet in Paris alongside Karita Mattila, another as the title role in the world premiere of Friedrich Cerha's Der Riese vom Steinfeld in June, and then two performances in October: one as the title role in Verdi's Simon Boccanegra at the Vienna State Opera under the baton of Daniele Gatti and the direction of Peter Stein, and one in the world premiere of Wolfgang Rihm's Sechs Gedichte von Friedrich Nietzsche in Cologne. Although the part lies about a fifth higher than "Don Giovanni," (it was actually written for tenor), the notes come easily, the phrasing is nuanced and the tone flows like honey. Add to all this an influential press representative from the Herbert Breslin office and manager, Ken Benson, from Columbia Artists Management Inc., and you have all the ingredients for international renown. [14] In November, he made his San Francisco Opera debut, performing the title role in Monteverdi's Il ritorno d'Ulisse in patria and role debut as Don Giovanni at the Metropolitan Opera. [18] He was also awarded an honorary doctorate of music in his hometown of Spokane, Washington from Whitworth College that same year,[19] and took a large role in the publication of a new critical edition of Mahler songs, alongside which he released a recording in collaboration with Geoffrey Parsons. Thomas Hampson is 56 years old (birthdate: June 28, 1955). His father is a chemical nuclear engineer who acts as consultant to firms with waste-disposal problems; his mother is a medical receptionist. Andrea Herberstein, the wife of Thomas Hampson, Thomas Hampson and Sylvie Bodorov during the TV interview in the park of the Litomyl chateau That year, he also began a collaboration with the Library of Congress that led to the creation of the Hampsong Foundation. [17] 1993 also saw the beginning of Hampson's institutional involvement in the classical world, when he gave a series of master classes at the Tanglewood Festival in Lenox, Massachusetts. "If there's a genius like Miller directing an opera," he explains, "I'd be quite willing to consider his concept. In November, Hampson launched www.songofamerica.net, an interactive database that details the culture and history of American Song and re-embarked on his "Song of America" tour, holding 13 recitals between July 2009 and February 2010. [56] He also appeared in a trouble-ridden production of La traviata that year, under the baton of Leonard Slatkin, who later removed himself from the production. In addition to his performance schedule, much of Hampson's modern career has centered on music scholarship and education. . From this point forward, he was recognized as "among the leading lyric baritones of the late century."[11]. And part of it reflects the unfortunate tendency of composers to cast baritones as the bad guys (Iago in Verdi's "Otello" is the most famous example) or as solid, supporting characters: the soprano's spurned suitor or the tenor's best friend. In February 2001, he sang Amfortas in Wagner's Parsifal at the Paris Opera and the Royal Opera House in London, took a four-month recital tour across Europe and the U.S., performing under the baton of Vladimir Jurowski and Franz Welser-Mst. During the summers of 1978 and 1979, he studied under Gwendolyn Koldowsky and Martial Singher at the Music Academy of the West, where he won the Lotte Lehmann Award. Songs from Chicago: Thomas Hampson, Kuang-Hao Huang (piano); Wonderful Town (2005) - EuroArts, B0009SQC2S, This page was last edited on 18 February 2023, at 22:28. Thomas Hampson was born on 28 June, 1955 in Elkhart, Indiana. His manager, Ken Benson, views Ford as "a good testing part" that will help determine whether he will someday be able to tackle vocally heavier dramatic baritone roles, unthinkable for him now, like Macbeth, or whether, with his agile upper register, he should move more in the direction of the French and bel canto repertoire. If the baritone's career in the United States has not yet reached the same level of intensity as it has in Austria -- where a fan at the Salzburg Festival asked him to autograph the back of her sweater -- it is clearly gathering steam.
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